Archive for the ‘My Writing: Poetry’ Category.

In 1887 The White Peacocks Came

 In 1887
the white peacocks came and watched the dance of death in the garden
and tea was served

–oh this was far away
In Dutchess County, New York
In the humid summer
green fields, green trees, wet black bark, black dirt
mansions of polished stone

And she danced, spinning
the hem of her white dress flying out

and the peacocks cocked their heads this way
and that
to view her

A perspiring gentleman sitting near the boxwood hedge crunched gently
on a shortbread
as the music soared

Beyond the hedge the top of the Irish maid’s cap was seen
moving to and fro
until suddenly it stopped
and her head blossomed, neckless
above the hedge
grey eyes astonished
as she too watched

While the slender albino girl spun in the sun
her slippers barely touching the flagstone patio
her blonde hair slipping from its jeweled chignon
her bare arms gleaming

The chamber group on the long porch
breaking free from their cadenced harmony
into something unknown
and jungly

But the white peacocks were unsurprised.
Instead, like applause
their long delicate tail feathers began to spread
and spread
and spread

immaculate
incandescent

pluming into the world

And what did the girl see, whirling?

White white white white
Everywhere light
sliding through veiled light and
light sluicing
the white agate of  horizon
and white
crackling with terrible purity
eclipsing sight

incantatory
dazzling

Fall
on your knees

in her white silk dress
with her dress hem streaming out

Fall
on your knees

She is flying

and we cannot catch her
and we cannot catch her

and then
the peacocks begin to scream.

 

 

 

The Conference on Cats, Dogs, Birds and Pigs

[This poem was written by E, my daughter, age 5. She dictated it to me, and then I pared it down and shaped it, and here it is. The words are all her own.]

 

Now here everything is tuttle. Tuttle means everything
is in its place. Eyes for seeing, mouth for eating
ears for hearing, legs
for walking a long way from the farm all the way to sinker-bok.

Sinker-bok is mud.

                                                     *

cats

their whiskers help feel anything in this house

and their body helps them get inside of their bones
and their bones help them eat

and the last part is their smile
the smileness of their smileness helps them smile
the cat has a sense of eyes and their eyelashes

and their bodies love everything even their words inside

 

dog

the dog has some smell to help them smell every way of their smellness.

The dog has lost its temperature. Temperature means
that sad went all the way down into its stomach and
it had no people.
But the sadness is not good. It helps them die.

Whatever it is don’t go near
dogs because it helps them die. 
If you get near dogs if they’re bad or good you can’t keep them.

For a long way there’s dogs

 

 bird

the mouth helps them taste cold worms and hot worms and even short worms
and their head helps them get messy
helps them see a long time

and the body is the important thing of the world

and the really important thing is the foot
and no one can believe that anyone can believe

that birds have feet and
the feet help them
walk

 

  pig

the pig ears are the most wonderful things in the world
the head helps them—smartness comes out

and they can smell air or dreams a long way down in the mud

and their body helps them eat inside
and their legs–the important one–to walk

to South America.

 

                                                         *

…and that’s what the conference is. Thank you.

…even their mouth is up and down even the conference is smart,

thank you.

 

 

 

Colson, Shipwrecked

This piece started accidently on Twitter as a tweet in response to a line Colson Whitehead had tweeted, about notes for a short story he was taking, although, he said, he didn’t write short stories. He thought he’d call it “The Full Iceberg.” My tweet grew into a riff, and then into its own story about Colson, shipwrecked on an iceberg, with a small penguin named Edwina. Not all the lines were tweeted, and some were subsequently re-shaped, but they all retain the “tweet format.“

***

 @colsonwhitehead sits cross-legged on the iceberg and stares back at the penguins staring at him. “Shipwrecked with non-talking birds,” he mutters.

A section of the ship still rests on the iceberg. Penguins waddle around and through it as if they are at a museum.

@colsonwhitehead pieces a quilt from comic books left in the ship’s bunkroom and stitches it with red thread. “Art,” he tells the penguins.

The penguins are impressed. Or at least they shift from one foot to the other and gurgle quietly as they eye @colsonwhitehead’s art-quilt.

I’ll call this art-quilt “The Full Iceberg,” @colsonwhitehead says. “Is it edible?” asks the smallest penguin. She has blue feet.

@colsonwhitehead looks closer at the smallest penguin. She has blue shoes on, not blue feet.  http://bit.ly/50AsV

“Like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul,” he says.

“Pablo Neruda,” the tiny penguin says. She blinks at @colsonwhitehead. “My name’s Edwina. And this story’s about me, not you and your wrecked ship.” “Fine by me,” he says.

Penguins dive off the iceberg. Plop-plop-plop. @colsonwhitehead hums as he watches a sapphire light deepen on the horizon. Edwina sidles near.

The ghost-ships on this iceberg crowd them. A cold wood flank touches warm one. Edwina clambers into @colsonwhitehead’s lap. Shivering.

“We’d rather have the iceberg than the ship, although it meant the end of travel,” Edwina whispers. “Elizabeth Bishop,” @colsonwhitehead says. “And I’d rather have the ship.”

“You need a flag,” she says. “First flag, then ship.” “Oh no,” @colsonwhitehead says. “I’m not using the art-quilt. I’ve already named it.”

“Well, un-name it.” “No,” @colsonwhitehead says. “I don’t un-name things, only name them.” “Oh pooh,” she says. “Think sideways for once.”

 With one wing Edwina sketches a shape in the frigid air. A white flag appears. Wavering. “Ghost-flag,” she says.

@colsonwhitehead looks at it. He sighs. “Nope. No more ghosts.” He hoists the red-thread-comic-book-art-quilt in the air. “Art-flag,” he says.

Edwina clicks her black beak in pleasure. Small fissures open on the iceberg. They zig-zag like ghost-snakes. The sound of branches snapping, breaking, unseen.

A sigh of night. Fissures widen. An all-black ship rises from lapping water and hangs, glistening, mid-air. @colsonwhitehead feels his chest squeeze. The sheer beauty.

“It worked,” Edwina says. “You can fold and put away the art-quilt-cum-flag now. Only one small problem.” “What?” says @colsonwhitehead.

“Um. The ship has only two directions. Up. Or down.” @colsonwhitehead glares at the small penguin. “THINK SIDEWAYS,” he says.

Edwina does. She thinks so hard that her blue shoes pop off and reveal blue feet. The black ship suddenly shifts in the air and balances on its prow.

There is sea-water raining on them. The cracks in the iceberg become maws. “You know,” says Edwina, “I don’t think we WANT to know the full iceberg. It might not be good for us.”

“Good point,” says @colsonwhitehead. “You’re coming with, right?” Without waiting for an answer he wraps her in the art-quilt and ties the ends around his chest.

Up @colsonwhitehead goes, fingering and toeing his way up the sideways-ship as if it were a tree. A muffled screech comes from the art-quilt.

“I don’t like heights,” wails Edwina. “There’s always something,” says @colsonwhitehead. “Now hold on.”

One fatal crack, like thunder, like a redwood trunk severed. The sky goes abruptly dark, a curtain pulled on the stage of the past.

Then the muttering of a TV. The smell of coffee. Edwina looks around, dazed, at the interior of a Brooklyn apartment flooded with sun.

@colsonwhitehead is sprawled on the floor on top of his art-quilt. Edwina studies him. “You look rather penguin-like around the eyes, you know,” she says.

@colsonwhitehead sits up. “And you,” he says, “look obnoxious around your beak.”

“Your art-quilt fell apart,” Edwina says. “It looks like a bunch of crappy comic books.” “No deconstruction before breakfast,” @colsonwhitehead says. “Now let’s eat.”

And so they do. One tall, one small, both smelling of brine and fish, scooping Cheerios into their mouths.  Waiting.

They hear a voice. “Some are asleep, on the bottom of the world, sucking the world in, and blowing it out, in wave-lengths.  Radiant ghosts.”

“Michael Dickman,” Edwina says.

 

Compass-1

 

 

 

5 A.M. At the Edge of Light

Not here. Never was.
Vapor.
Drifting

(Through the open window:
Cars sigh down a damp street
an outcast dove coos to itself in the stone courtyard
black leaves rustle against the gray skin of sky )

But from me
no sound

Not here.
Never was.

Instead:
Sinking
down through slow green currents
where sleep-fish nibble dreams
and words unfurl like languid seaweed

past columns of light
where ghost-fish, ghost-selves
weave through kelp forests and
bone-white ruins
to the mystery of chambers beyond

Gliding
along the marine floor
in and out of light and shade
in and out of now and then
in and out of maybe and never-was

Down here
everything is possible
everything is probable
everything ever imagined at any time in the history of the world
now exists
all at once
and without end.

I’m not here. I never was.
Just vapor.
Drifting.

(Through the open window:
A sound like tearing cloth rends the sky
the dove’s complicated contralto is sliced
mid-note
light torches the world yet again)

“So that the genuineness of your faith, more precious than gold
which though perishable
is tested by fire”

 

 

 

 

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